![]() A language detached from human feelings, it flows like a turbid torrent through this wickedly funny film, which is mostly about a feeling problem-the gap between what we think we feel, as kind and caring people, and the deeds we actually do.Ĭopyright ©2023 Dow Jones & Company, Inc. Alison Willmore, a Vulture film critic Cord Jefferson’s directorial debut, American Fiction, is a sharp comedy about racial commodification anchored by a terrific Jeffrey Wright. The disconnect comes from Christian’s penchant for suave gibberish-the kind of coolly abstract, emotionally vacuous way of speaking that you hear everywhere these days, not just in the art world. It overlaps with misinformation (false or misleading information) and disinformation (false information purposely spread to mislead people). HGTV stars Chip and Joanna Gaines list popular Magnolia House for 995,000. Anne is dazzled by her subject, but she doesn’t have a clue what he’s talking about, and it’s not a language problem, since he’s doing the interview in flawless English. (He’s played deftly by Claes Bang.) An American journalist named Anne (Elisabeth Moss) notices all these things as she interviews him for TV. ![]() The first things you may notice about Christian, the conflicted hero of Ruben Östlund’s “The Square,” are that he’s tall, handsome and charming-and formidably articulate, as befits the director of a prominent Swedish museum of modern art. Watch a clip from ‘The Square,’ starring Claes Bang, Elisabeth Moss and Dominic West. Many visible public debates over scientific issues are clouded in accusations of falsehood, which place increasing demands on citizens to distinguish fact.
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